ITINERARY



 

SEPTEMBER ITINERARY:


-EXPANSIONS AT THE COTA FESTIVAL - DELAWARE WATER GAP, PA - SUNDAY - SEPT 7


- TRIO CONCERTS WITH DRUMMER PHIL HAYNES, BASSIST DREW GRESS AT THE HAYLOFT/CARRIAGE HOUSE - ITHACA,NY - SEPT 10; SHAPESHIFTER LAB/BROOKLYN, NY - SEPT 12


- SPECIAL SAXOPHONE MASTER CLASS: LIVE AT MICHIKO'S STUDIOS, NYC; LIVE ON THE WEB - SEPT 13 - FOR DETAILS: www.lessonface.com/apply/lieb


- VISITING LECTURER FOR MASTER'S PROGRAM, UNIVERSITY OF TORONTO - SEPT 18,19


-PERFORMANCES WITH CANADIAN SAXOPHONIST SAMUEL BLAIS (RECORD RELEASE):

-THE REX/TORONTO, CANADA - SEPT 19

-DIES ONZE/MONTREAL - SEPT 20

-LE CERCLE/QUEBEC - SEPT 21


- PERFORMANCE OF "THE UGANDAN SUITE"(RECORDING) WITH SAXOPHONIST FELIPE SALLES AT MIDDLEBURY COLLEGE, VERMONT - SEPT 28


- DAVE LIEBMAN BIG BAND CELEBRATING RELEASE OF "A TRIBUTE TO WAYNE SHORTER" AT BIRDLAND, NYC - SEPT 30, OCT 1








NEA JAZZ MASTER DAVE LIEBMAN BIO SUMMARY


David Liebman is considered a renaissance man in contemporary music with a career stretching over forty years. He has played with many of the masters including Miles Davis, Elvin Jones, Chick Corea, John McLaughlin, McCoy Tyner and others; authored books and instructional DVDs which are acknowledged as classics in the jazz field; recorded as a leader in styles ranging from classical to rock to free jazz; awarded NEA Jazz Masters; Jazz Educators Network (JEN) Legends of Jazz; multiple Grammy nominee and Downbeat/Jazz Times Critics Poll winner (soprano sax); French Order of Arts and Letters; Honorary Doctorate from the Sibelius Academy (Helsinki, Finland); Founder (1989) and Artistic Director of the International Association of Schools of Jazz (IASJ); performed on over 500 recordings with over nearly 200 as a leader/co-leader featuring several hundred original compositions.



"Liebman is among the most important saxophonists in contemporary music . .     a leader and artist of integrity and independent direction." Downbeat Magazine


“While others of his ‘60s generation have fallen off their ambition, Liebman has remained dogged about composition and trying different styles…he’s a fighter.” Ben Ratliff-NY Times


 

 

FROM LIEB ABOUT THE WEB SITE:

Hello to you all and welcome to my web site. Besides the usual publicity material, itineraries and available products which one normally encounters on artist web sites, over the years I have tried to make this site into a repository of information about jazz for those who are seriously interested in the art form. Specifically, past newsletters, educational articles, private archive recordings, photos and interviews should be of particular interest. As a result of over forty years of being a jazz artist, there is a lot of information here. Please check the itinerary (published monthly) and my facebook site for updates and miscellaneous writings I do from time to time. Feel free to contact me (CONTACT TAB ABOVE) for any specific musical questions. Enjoy!!

 


ACCOLADES:


JAZZ EDUCATORS NETWORK LEGENDS OF JAZZ EDUCATION - 2013

 

NEA JAZZ MASTER - 2011

 

DAVE LIEBMAN GROUP - BEST PERFORMANCE OF THE YEAR - 2011 (NY JAZZ and ALL ABOUT JAZZ)

 

WINNER OF DOWNBEAT (2011) AND JAZZ TIMES (2011/2012) CRITIC'S POLLS FOR SOPRANO SAX

 

FRENCH ORDER OF ARTS AND LETTERS - 2010

 

GERMAN JAZZ JOURNALIST'S RECORD OF THE YEAR (TURNAROUND) - 2010

 


ABOUT LIEB'S NEW GROUP "EXPANSIONS" (More under GROUPS tab)


Didacted from an Allentown, Pennsylvania newspaper interview by Jerry Duckett:

“Let me explain it this way. When Charlie Parker came on the scene, we had guys like Louis Armstrong, Art Tatum and Lester Young. Bird changed the language. He might as well have arrived from another planet. When Coltrane came on the scene he changed Parker’s language and so on. In the last 10 to 20 years there has been another change  due not only to the increasing influx of musicians from all around the world (as jazz has become more universal), but also because of jazz education. We now have schools in many countries and it is new and exciting to the people. I have been part of this spread of teaching jazz for over 30 years. This new generation didn’t learn through apprenticeship like it used to be, but from books and now You Tube. They are well studied and very world-oriented. They understand rhythms and harmonies from all over the planet and are changing the way modern jazz is articulated. On a more personal level, I don’t want to be stuck in a stylistic vacuum. I want to see what the young folks are doing and add that to my personal language.”


FIRST RECORDING WILL BE RELEASED IN SEPTEMBER 2014 titled "SAMSARA" (Whaling City Sound)


EXPANSIONS LIVE FROM CORNELIA STREET CAFE,NYC-2013:

http://www.gander.tv/event/cornelia-street-cafe-dave-liebman-112-9pm-12am





RECENT BOOK:


INDIVIDUALS may purchase a soft-cover copy US $49

Telephone your order to 1-716-754-2789

Or Email : sales@mellenpress. cont


FROM LIEB: Saxophonist Andy Sugg is from Adelaide, Australia and a fine musician who I have known for years. For his doctoral thesis he did an exhaustive study concentrating on solos taken by Coltrane, my esteemed comrade in arms Jerry Bergonzi and myself on “Green Dolphin Street.” His summary blurb follows. Warning: This is not for the fainthearted!!


FROM ANDY SUGG:The Influence of John Coltrane’s Music on Improvising Saxophonists-Mellen Press

Though it’s common knowledge that Coltrane transformed jazz improvisation, we know a lot less about how this transformation played itself out in the generation that came after him; and how a few in this generation found in Trane’s music something to stimulate innovation of their own. This thesis traces the story of  innovation in two important sax players of this post-Trane generation - David Liebman and Jerry Bergonzi – by presenting a detailed discussion of solos by Trane, Liebman and Bergonzi on a single repertoire standard. John Coltrane’s Music argues that in Liebman’s and Bergonzi’s responses to Trane’s music we hear two key directions in saxophone improvisation, and in jazz improvisation generally, since the 1970s; directions which remain central to the art of jazz improvisation today.


Check out some of Lieb's lead sheets and listen to the original tunes on Lieb's Facebook Page.

 

  

DESCRIBING THE JAZZ MOMENT by Dave Liebman

"LE ROI DU MONDE"

What does it feel like when you are in the vortex, the eye of the hurricane? To me it is aptly put by the French; you are (at least temporarily) "Le Roi Du Monde."  For those moments when I (as a horn player) am playing in front of a good rhythm section, I am simply "the king of the world"--everything is perfect!! One is in complete control; you can do whatever you want within that space inhabited at the moment. You are truly the master of the universe...not the cliche.. the real deal! Getting to that place takes years of experience and observing those who are ahead of you on line. There is a confidence, an unseen swagger, an assertiveness (even if the music is gentle). It's so good that all you want is to repeat it... like a junkie...hooked forever.


George Carlin, one of the all time great comedians and observers of the human condition in his autobiography(Last Words) describes the feeling I'm referring to:

"There is nothing happening in the universe outside of that reality and that experience. When besides that I'm being rewarded with all this approval, attention, approbation for something that is solely mine and only I can do. There can't be anything better than that. To be intensely alone, intensely myself, in control of everything, the center of a self created universe." (For more on this subject go to the Education tab; Educational articles;Miscellaneous; "Concerning Entering the Zone.") 

 


Drawings from the Deer Head Inn, Delaware Water Gap, PA by owner Bob Mancuso
Drawings from the Deer Head Inn, Delaware Water Gap, PA by owner Bob Mancuso