Here are some thoughts about passing of the greatest of all-Freddie Hubbard.
We all know that in the past decade or so Freddie Hubbard was not really
playing much, but the truth is that if had stopped playing after the late 60s,
I would still say the same thing about him, which is that he was the best of
all time for me. His sound and ideas, his fire, his tunes and most of all his
time were all incredible. He had the widest beat of anyone and made you really
feel the pulse. He did it all-in and out harmonies-soft and loud-abstract with
the blues, etc. He influenced everyone who is serious about jazz.
LESSONS FROM HUB TONES
I received two lessons inadvertently from Hub for which he would be
surprised. On a recording session under Jimmy Cobb's leadership in the early
80's, I arranged one of my tunes for three horns: Freddie on flugel, Pee Wee
Ellis on tenor and myself on soprano witH a great rhyThm section iNcluding
Larry Willis and Walter Booker. Of course I was quite nervous about the tune,
the arrangement, Freddie Hubbard, my shadow, etc-you get the point!! We did a
take and of course there is that silence which occurs after the ringing of the
cymbals subsides-who will talk first? The arranger, the leader or the "heavy"
(Hub) in the room because truthfully everyone was in awe of Hub in and out of
the band that day. Finally, in what seemed a lifetime Hub says let's listen
and of course I get the middle seat in the booth since it is my tune. Now, not
that the tune was very hard, but there were some tricky things you had to stay
alert about in the bridge (tune is "Picadilly Lilly"). Hub fluffed a note or
two and of course though I was aware of it during the take, I was not about to
say anything. To my mind at that point in my development as a jazz musician,
guys like Freddie Hubbard ALWAYS got it perfect. After a few seconds, Hub
yells from the back: "Liebman-that wasn't right-was it?" I answer the obvious
and he says something like "I guess we have to do it again." Of course, by the
third take he owned the tune!! Though it was never released, I learned an
important and what might appear simplistic truth thanks to Hubtones which is
that the best are that way BECAUSE they want to get it right. To what extent
it is a matter of ego and/or artistic determination, the point is don't let
anything go by that can be improved, no matter who you are.
About ten years later in the early 90's, Hub was a guest with the local
college band where I live in Stroudsburg, PA. The school is East Stroudsburg
University and the great director who invited heavies like Hub in to play with
a basically non-professional student band (no jazz major, etc) was my good
friend Pat Dorian. As part of the gig, Freddie was asked to give a q and a in
the afternoon for the general public. Knowing about Freddie and his legendary
temperament, I was really wondering how his attitude would be for the
afternoon session. Well, he was gracious, informative, modest and great all
around. I went back stage to see him and commented on his "performance." He
said that he had never done anything like that and he was actually nervous. I
assured Hub that he was stellar. This was the very beginning of a period we
are still in where no matter who you are, you will probably be giving a clinic
somewhere, sometime. I mean if Miles or Duke were around, they would be
required to do it. In the early 90s's this was not common and it made me
realize that a change has come when someone like Freddie Hubbard has to talk
about his art to the public and like a playing gig, they will be judged on
that "performance" as well.
Thanks for the lessons Hubtones!
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